Archive for Rani Sheen


Cannes 2013 red carpet beauty: The scoop on Aishwarya Rai’s hair, Marion Cotillard’s mascara and more

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Cannes 2013 red carpet beauty

See these Cannes red carpet beauty looks up close »

FASHION’s beauty editor Rani Sheen is currently at the Cannes Film Festival getting the red carpet scoop on all things beauty. Here’s what she witnessed over the weekend.

The inclement weather at the beginning of the world’s glitziest film festival did nothing for the beauty looks on the red carpet—Carey Mulligan bravely battled sheets of rain trying to derail her pale-pink Dior Couture gown and sleek centre-parted hair at the Great Gatsby’s premiere. However, the sun started to shine on Sunday and the stars took full advantage. Aishwarya Rai (commonly referred to as the most beautiful woman in the world) let her long, brown hair flow in natural waves at both the premiere of Blood Ties and the Cohen brother’s latest, Inside Llewyn Davis. But at Sunday’s gala for 100 Years of Bollywood, the Indian film and actual princess tried a style that quite befitting for the occasion. Read more »


Lash Mob: 9 of the best mascaras, eyeliners and false eyelashes for spring

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Mascara and False Eyelashes for Spring

Photography: Backstage Beauty by Peter Stigter; Product by Carlo Mendoza

See our must-have eyelash, eyeliner and mascara picks! »

It’s been 46 years since Yardley of London introduced Twiggy Lashes and Twiggy Eye Paint to help the masses replicate the doll-like stare of the model of that and many more moments, but her gaze lingers on. This is a season of 1960s-inflected eyes, reimagined as a thick strip of fringe and pale blue lids at Giorgio Armani, spiky top-and-bottom falsies at Moschino and smoky shadow with mile-long lashes at Gucci. The difference now is that we have the benefit of 21st-century cosmetic technology: Faux lashes are being made with laser-cut paper, feathers and mink, and mascara wands are so painstakingly sculpted and engineered, they resemble tiny topiaries. Read more »


Exclusive: Emma Watson talks about posing with Lancôme and and pole-dancing for Sofia Coppola

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Emma Watson exclusive interview Lancome and The Bling Ring

Photography by Alexi Lubomirski for Lancôme 2012

See 3 new Lancôme Gloss in Love shades »

When you’re Emma Watson, a simple trip to the hair salon turns into headlines and blog posts the world over. “There was a time when people only ever wanted to ask about my haircut,” she says. “That was a big deal for a while. But increasingly now I’m getting asked about the work I’m doing, which is really nice because people are genuinely interested.” This is probably because Watson is genuinely interesting. The 22-year-old Oxford University English student who leapt to the world’s attention as Hogwarts’ brightest half-muggle, Hermione, has managed to graduate from the blockbuster Harry Potter series into a string of intriguing independent films, including The Perks of Being a Wallflower and this summer’s Sofia Coppola-directed The Bling Ring.

Although she says she’s not the “sort of person who likes posing,” Watson has also lent her intelligent gaze and elfin features to ad campaigns, first for Burberry and now for Lancôme. “I’ve wanted to work with her for many years, but I didn’t want somebody too young to be [the face of] the brand,” says Youcef Nabi, president of Lancôme International. “I don’t want people to feel that they need to put on makeup very early.” Once Watson matured beyond Potter, the matter was broached, and a connection became apparent between the English actress and the French beauty company. Read more »


Chloé Comme Parris Fall 2013 backstage beauty: Boho braids and makeup that looks like it’s been on all night long

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Chloe Comme Parris Fall 2013 backstage beauty

Photography by Jenna Marie Wakani

See the full backstage gallery from Chloé Comme Parris Fall 2013 »

The makeup: “It’s about society girls gone bad. Rich girls who’ve been partying all night long and their makeup’s been really worn in and lived in and danced in.” —Grace Lee, Maybelline New York lead makeup artist

Skin was evened out with a mixture of Maybelline Dream Fresh BB Cream and moisturizer. For a dewy, “sweaty” highlight, clear Baby Lips lip balm was rubbed on the high plains of the cheek and the bridge of the nose.

Eyes were lined with a black kohl pencil, then more Baby Lips was pressed right into the liner with a thin brush, to give the effect of a girl who’s been in her makeup all night long. Soon-to-launch pots of Maybelline pigments in “Luxurious Bronze” and “Cashmere Brown” were applied on the lids, with more Baby Lips pressed on top. “It’s all about layering,” said Lee. She had models close their eyes while she held the lids open slightly with her finger so she could apply Rocket Mascara thickly to the top and bottom lashes at the same time, which gave an imperfect look, with smudges left below the eyes. “I want them to look a little bit messy, a little bit off. “ Brows were brushed up but left natural, because “it’s all about the screwed-up eye.” Read more »


Chloé Comme Parris Fall 2013: The grunge trend makes its first mark at Toronto Fashion Week

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Chloe Comme Parris Fall 2013

Photography by Jenna Marie Wakani

See the Chloé Comme Parris Fall 2013 collection »

The dreamy, artsy girl we usually see on Chloé Comme Parris runways showed her tougher, ennui-filled side for Fall 2013 at World Mastercard Fashion Week, slouching aggressively out to the sounds of Nirvana’s “All Apologies.” Nineties grunge reappeared in international Spring 2013 collections and continues to fly its flag into fall with Hedi Slimane’s all too faithful interpretation for Saint Laurent Paris (most of the fashion media wasn’t having it but it gave Courtney Love “gasms” and reminded her of Value Village).

Here, under-25 Toronto sisters Chloé and Parris Gordon applied their own richly detailed aesthetic to classic signifiers like check shirts wrapped around the waists of slips: their dresses are beautifully cut in silk and feature custom 19th century Arts & Crafts-influenced prints (the Gordons’ mom is an enthusiast of the era). Adding to the feeling of rebellious, seething youth were crop tops, patterned thigh-highs, tough leather, army overcoats, vests layered over sheer tunics layered over cropped pants, and dresses slashed across the chest and held together with what looked like metal body piercings.
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How to keep your New Year’s Resolutions: 4 essential steps to staying on healthy track all year round

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It’s less than two weeks into 2013 and we bet many of you have already wavered on your New Year’s Resolutions. We get it. They’re hard, they usually offer no immediate gratification and they’re just not fun. Health-related resolutions mostly lead to drastic short-term changes (like spending January drinking only maple water or working out eight times a week) that leave you burnt out and resenting anything that vaguely promises to be good for you until next December rolls around. But baby changes can make a really big difference when they’re followed for the whole year. Here are a few mini resolutions that are making my life a bit healthier in 2013.

How to keep your New Year’s Resolutions »
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Health: A new school of thought says good fat isn’t a dietary demon

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Photography by Natasha V. Food styling by Heather Shaw for judyinc.com.

The fat has long been sucked out of our food in the name of health. Rani Sheen weighs the newest thinking on good fat.

Imagine a world where you got to the front of the coffee shop line and didn’t feel compelled to say the word “skinny” before the word “latte.” Or where, facing down the legions of yogurt options at the grocery store, your hand bypassed the zero per cent Greek yogurt, landing instead on the full-fat version. The idea that fat is bad for us has become so all-pervasive that it is now fixed firmly in our minds that full-fat dairy, bacon or even a hefty serving of avocado are flabby demons waiting to send chub to our waists and clog our arteries. But a growing school of thought is suggesting that actually, it isn’t fat that makes us fat.

The low-fat movement took off in the early 1980s, largely informed by the “Seven Countries” study begun in 1958 and published in 1980 by physiologist Dr. Ancel Keys (who popularized the Mediterranean diet and BMI as an indicator of body fat). It showed a strong link between dietary fat and heart disease, though Keys has since been accused of disregarding countries that didn’t fit the hypothesis, plus he only studied men. Other research followed, and in 1984 the National Institutes of Health recommended all Americans over the age of two reduce their dietary consumption of fat from 40 to 30 per cent of their total calories. Canada followed suit. This ushered in the era of margarine, skim milk and boneless, skinless chicken breasts.
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Toronto Fashion Week Spring 2013: Pat Cleveland launches a standout 55-look collection at Joe Fresh with envy-inducing ease

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Joe Fresh Spring 2013

Photography by Jenna Marie Wakani

See the Joe Fresh Spring 2013 collection photos »

After a quick, swinging 1960s op-art themed projection set the tone, the tent at World MasterCard Fashion Week in Toronto erupted in genuine cheers, even hoots, as model legend Pat Cleveland minced down the runway in her sprightly half-dance, half-strut. In town to lend star power to the Canadian premiere of the documentary Versailles ’73, Cleveland stole the whole Joe Fresh shebang—it didn’t really matter what she was wearing. The army of other models (including Meghan Collison and Grace Mahary) showed off loads of things we’ll want to wear in ‘60s-mad Spring 2013: mini shift dresses, trapeze jackets, illusion dots and op-art prints in fabrics that are definitely of this century (neoprene, now a familiar Joe Fresh signature, perforated faux-leather, a fabric seemingly textured to resemble lizard skin). White, black, silver and sky blue were the only colours in the sky, with a small golden punctuation mark at the end in the form of a mixed metallic doily dress and foil painted denim—an update to fall’s waxed jeans we’re all obsessed with. Joe Fresh’s shoe designers came up with round-toed, white mesh heels, perforated pointy Mary-Janes and a chunky, pointed Céline-like pump, best in that baby blue. Pat Cleveland took her time leading and then falling behind her youthful colleagues in the finale, neither she nor we wanting her moment in the limelight to end.
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