Inside the glitzy opening of the National Ballet’s costume retrospective: Legendary ballerinas, magical sleighs and tutus for the try-on
See the photo gallery »
The tutus were out in full force for the official opening of the National Ballet of Canada’s twofold exhibitions celebrating the company’s first 60 years. 60 Years of Designing the Ballet and the Tutu Project debuted with a glitzy reveal at Toronto’s Design Exchange, with everyone from the ballet’s own dancers like Greta Hodgkinson, Tina Pereira and former prima ballerina Victoria Tennant to Jeanne Beker and Vawk’s Sunny Fong raising a glass in toast. The first exhibit, a look back at some of the most notable costumes and sets curated by the company’s former costume designer Caroline O’Brien, came complete with ultra-lifelike dessert tables and a magical blue sleigh from The Nutcracker and several costumes for the wishful dancers to try on and pose with (we indulged, obviously). The second, an assembly of 60 specially designed tutus—one to celebrate each year in business—was displayed throughout the room. Guests seemed to take their toast quite literally, with Kara Alloway in a voluminous Mary Katrantzou lampshade skirt, Karolyne Ellacott in an actual tutu dress and several other attendees sporting pulled-back ballet topknots.
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See the photo gallery »
The tutus were out in full force for the official opening of the National Ballet of Canada’s twofold exhibitions celebrating the company’s first 60 years. 60 Years of Designing the Ballet and the Tutu Project debuted with a glitzy reveal at Toronto’s Design Exchange, with everyone from the ballet’s own dancers like Greta Hodgkinson, Tina Pereira and former prima ballerina Victoria Tennant to Jeanne Beker and Vawk’s Sunny Fong raising a glass in toast. The first exhibit, a look back at some of the most notable costumes and sets curated by the company’s former costume designer Caroline O’Brien, came complete with ultra-lifelike dessert tables and a magical blue sleigh from The Nutcracker and several costumes for the wishful dancers to try on and pose with (we indulged, obviously). The second, an assembly of 60 specially designed tutus—one to celebrate each year in business—was displayed throughout the room. Guests seemed to take their toast quite literally, with Kara Alloway in a voluminous Mary Katrantzou lampshade skirt, Karolyne Ellacott in an actual tutu dress and several other attendees sporting pulled-back ballet topknots.
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