All posts under ‘Backstage beauty’


How to do the cool-girl makeup and faded pastel hair from Peter Som Spring 2013

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Peter Som Spring 2013 backstage beauty

Photography by Peter Stigter

Read all the backstage tips from Peter Som Spring 2013 »

More was more on Peter Som’s Spring 2013 runway when it came to beauty. Bright orange eyelids were mixed with washed out pastel hair extensions, resulting in the ultimate cool-girl vibe for spring.

The Peter Som beauty team—led by Wella Professionals global creative director Eugene Souleiman and makeup artist Tom Pecheux—matched the collection’s watercolour-print boardshorts and billowy floral dresses with bright pops of colour. However, the models’ natural skin tone played a key role in the look. “There is no blush, no highlighter—no need,” said Pecheux, noting that all the models were returning from summer vacation with flawless, toned skin. As our spring trends guide reported, skincare products play a major role when it comes to the “natural” skin look. Pecheux used hydrating gel, foundation and a translucent powder to ensure complexions looked fresh. Read more »


Lucian Matis brings ’60s banana eyeliner back (with French outline nails to match!) for Fall 2013

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Lucian Matis Fall 2013 backstage beauty

Photography by Jen Schenkel for Revlon

See the makeup and nail art from Lucian Matis Fall 2013 »

It may have occurred at the very end of Toronto Fashion Week, but the makeup and nails at Lucian Matis set the bar for Fall 2013 beauty trends. Of course, having some talented heavyweights on board certainly helped: Revlon global artistic director Gucci Westman and Revlon nail expert Leeanne Colley were behind the retro look.

Despite a scheduling conflict that prevented Westman from actually being backstage, she didn’t want to pass up the chance to work with Lucian Matis. Skype sessions allowed for proper collaboration with the designer and once the look was finalized, her right-hand gal, Mimi Imanishi, led the team in Toronto.

“The inspiration for this look was Lucian’s gorgeous, monochromatic colour palette while incorporating safari khaki tones to the eye. This look is also very much inspired by the ’60s, specifically, the German model, Veruschka,” Westman said, via press release. Read more »


Fashion Week nail art: How to paint the feathery nail design from Matis by Lucian Matis Fall 2013

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As Essie Canada’s lead nail artist for World MasterCard Fashion Week, Rita Remark certainly had her hands full last week. She was in charge of creating nail looks for eight shows, including Mackage, Chloé Comme Parris and Pink Tartan—and with some shows casting more than 20 models, that meant Remark and her team had to file, prep and paint 1500 false nails in advance. Curious about the process of painting so many nails, I met Rita in her studio space at Toronto’s Gladstone Hotel. After getting a sneak peek at the nail art designs for upcoming shows, it was my turn to try painting. Read more »


The Joe Fresh girl cuts off all her hair and goes rocker chic for Fall 2013

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Joe Fresh Fall 2013 backstage beauty

Photography by Jenna Marie Wakani

See the full backstage gallery from Joe Fresh Fall 2013 »

There’s always been a pretty predictable pattern to the beauty for Joe Fresh: clean faces, rosy cheeks, a poppy lip and straight, simple hair—usually pulled back into a low ponytail. It’s a beauty routine that plays into the mass appeal of the brand, while also literally playing into the “Fresh” part of the Joe Fresh name.

For Fall 2013, however, the beauty was dictated by that other thing Joe Fresh is known for: being right-to-the-minute on-trend. As such, the cute ponytails were kicked to the curb in favour of punk-inspired cropped cuts. After all, with Marc Jacobs and Louis Vuitton covering up models’ hair with dark brown wigs and brands like Dior, Chanel and Givenchy all embracing short hair this season, it really is the time to cut it all off. Read more »


Chloé Comme Parris Fall 2013 backstage beauty: Boho braids and makeup that looks like it’s been on all night long

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Chloe Comme Parris Fall 2013 backstage beauty

Photography by Jenna Marie Wakani

See the full backstage gallery from Chloé Comme Parris Fall 2013 »

The makeup: “It’s about society girls gone bad. Rich girls who’ve been partying all night long and their makeup’s been really worn in and lived in and danced in.” —Grace Lee, Maybelline New York lead makeup artist

Skin was evened out with a mixture of Maybelline Dream Fresh BB Cream and moisturizer. For a dewy, “sweaty” highlight, clear Baby Lips lip balm was rubbed on the high plains of the cheek and the bridge of the nose.

Eyes were lined with a black kohl pencil, then more Baby Lips was pressed right into the liner with a thin brush, to give the effect of a girl who’s been in her makeup all night long. Soon-to-launch pots of Maybelline pigments in “Luxurious Bronze” and “Cashmere Brown” were applied on the lids, with more Baby Lips pressed on top. “It’s all about layering,” said Lee. She had models close their eyes while she held the lids open slightly with her finger so she could apply Rocket Mascara thickly to the top and bottom lashes at the same time, which gave an imperfect look, with smudges left below the eyes. “I want them to look a little bit messy, a little bit off. “ Brows were brushed up but left natural, because “it’s all about the screwed-up eye.” Read more »


Pink Tartan Fall 2013 backstage beauty: Bold brows and blonde “country club” wigs

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Pink Tartan Fall 2013 backstage beauty

Photography courtesy Essie

See the full backstage gallery from Pink Tartan Fall 2013 »

The makeup: “When I talked to [Kim Newport-Mimran], it was really Alfred Hitchcock meets Tippi Hedren. She’s a little bit off, she could be a little bit crazy, but she’s beautifully dressed. She wanted beautiful skin, but really it’s about that big, dramatic brow.” – Grace Lee, Maybelline New York lead makeup artist

- With a focus on “big and bold brows, with an element of naturalness,” Lee layered multiple products in a variety of colors to ensure the the brows didn’t come across as one dimensional and flat. First she filled in the brows by brushing through a shade of ashy-brown. Then she lightly went over the hairs with and almost-black shade to achieve “3D effect.” Finally. Lee finished them off by combing a gel through to keep all the hairs in place. Read more »


Love loose curls? Here’s how to do the incredibly easy “dropped out waves” from Tanya Taylor Fall 2013

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Tanya Taylor Fall 2013 backstage beauty

Photography by Jeffrey Chan

See the full backstage gallery from Tanya Taylor Fall 2013 »

If you’re a fan of loose curls and beachy waves, listen up. While backstage at the Tanya Taylor Fall 2013 show I witnessed an incredibly inventive way to add movement and texture to hair without relying on a curling iron.

Justin German, Pantene Pro-V’s consulting stylist, wanted “dropped out waves” for the ’60s-inspired look, which meant no structured ringlets were welcome. Instead, German added texture and movement to the hair by rolling pieces up into pin curls and setting them with a quick clamp of the flatiron. “To make it a little more random we [rolled] some one way and some the other way,” German explained of the technique. “We didn’t want it to look like it was done with a curling iron.” Finally, he set everything in place with a quick spritz of Pantene Pro-V Stylers Flexible Hold Hairspray. Read more »


Toronto Fashion Week Fall 2013 backstage beauty: “Sleepy Hollow” eyes and cheeks at Jeremy Laing

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Jeremy Laing Fall 2013 backstage beauty

Photography by Edward James

See the backstage beauty gallery from Jeremy Laing Fall 2013 »

The makeup: “The cool thing about this look is the shape of the eye; Jeremy wanted to have a very hollowed out eye socket. He doesn’t like the girls to look too preppy, princess-y, or too done. Maybe a little bit androgynous. It’s all about the shapes; and you can tell his shapes are a little bit unusual. “ – Greg Wencel, Cover Girl makeup pro

To achieve this “Sleepy Hollow” look, Wencel custom mixed a shade of slate grey, using both shades from the Cover Girl Smokey ShadowBlast eyeshadow stick in “Onyx Smoke” on the back of his hand. The cream shadow was chosen because it would give a “lived in, glossy eye effect.” Wencel applied the majority of color is from the crease of the eye to the brows, leaving a slightly lighter wash of grey on the lid of the eye. To set the cream, a silver shadow was pressed over top, which also added a “hint of blue.” The lashes were kept natural with no curling or mascara. To keep models looking fragile, Wencel wanted a “pale veil of color” on the skin. He used a foundation one or two shades lighter than the models natural color then set it with an even paler shade of pressed powder. For cheeks, it was all about “hollowing and sculpting” with bronzer to exaggerate the contour. Finally, lips were almost devoid of pigment: Wencel applied a clear balm on the lips and then buffed foundation over the edge of the lip line for an ombré effect. Read more »


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