All posts under ‘Beauty’


The Lancôme Show by Alber Elbaz collection is here! See all 9 mascaras and eyeshadows now

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Lancome Alber Elbaz Hypnose collection

See the entire Lancôme Show by Alber Elbaz collection! »

Since hearing about the collaboration between Lanvin’s creative director, Alber Elbaz and leading French cosmetics house, Lancôme, in January, we’ve been batting our lashes prettily and patiently.

Launching at the end of June, the Lancôme Show by Alber Elbaz collection is finally coming to beauty counters—and our vanities. A true believer that luxury triggers joy, Alber Elbaz has created a limited collection that not only features Lancôme’s four worldwide best-selling mascaras and colourful Hypnôse eyeshadow palettes, there’s also a set of false eyelashes that come in a box designed by Elbaz himself. Read more »


Unreal World: ’80s heartthrob turned writer Andrew McCarthy explores the beauty of self-acceptance

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Andrew McCarthy beauty of self acceptance

By Andrew McCarthy

First, the disclaimer: I’m a man, so I can’t speak first-hand to the pressures women feel to look a certain way. But as an actor, and consequently someone who has made a living based largely on how I look, physical appearance is a topic I consider frequently. In my youth, the idea of cosmetic surgery amused me as something relegated to Beverly Hills dowagers and fading starlets. But as the years have passed, and with the advent of so many new techniques, more and more of my peers have succumbed. The buff and plump, to say nothing of the nip and tuck, have become de rigueur. Yet something about all the peeling and freezing troubles me. I just couldn’t put my finger on exactly what it was—until recently.

It isn’t necessarily the physical effect, though I often find that odd and unnatural-looking. The thing that is so unsettling, so worrisome to me, is the message cosmetic surgery is broadcasting about the person who has had the work done. I know it’s not the signal they want to send.

What got me thinking about this, and how I came to my realization, was learning that a certain (male) rock star—someone whose career I have long followed, whose albums I own and whom I have admired for his seemingly genuine sense of self—admitted to having Botox. Some may praise his courage in coming clean, but this information made me sad. And I wondered why it did. Read more »


Makeup artists Dick Page and Diane Kendal dissect the return to ’90s-inspired minimalist beauty

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1990s beauty trend minimalist makeup

Photography by Peter Stigter

See the top ’90s-inspired beauty products in Diane and Dick’s tool kit »

By Celia Ellenberg

About halfway through the spring 2013 shows in New York, one thing became clear: Contours, not colour, were set to define the season. Gone were the deep wine-stained lips and tinted lashes from fall; in their place was, well, very little to speak of.

“It is a reaction to the economic times we are in. Huge, glamorous, overdone hair and makeup don’t make sense,” says makeup artist Diane Kendal, who had a big hand in this sea change. Over the past few seasons, Kendal has made boyish, raw but beautiful faces something of a calling card as the backstage go-to for cool designers like Proenza Schouler, Alexander Wang and, more recently, Victoria Beckham. “Their point of view is what I translate,” Kendal humbly insists, pointing out that there was a ’90s-era lens on the collective perspective for spring.

“The look seems to have a modern feel,” she says, explaining why designers requested the decade’s sparse style en masse. “People like the simplicity—the pureness of design. It’s clean.” It’s also significantly less undone than it was 20 years ago. “It’s less grungy this time around.” The new minimalism is about subtly accentuating features rather than cultivating a full-on “look.” The irony, of course, is that a full-on look is actually easier to pull off than the “nothing” makeup that Kendal and fellow face-painters such as Shiseido artistic director Dick Page pioneered. Read more »


Lancôme is teaming up with Alber Elbaz for a spring makeup collection

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Lancome Alber Elbaz makeup collection

Image courtesy Lancôme

Right on the heels of the announcement that a Marc Jacobs makeup collection is coming, Lancôme revealed today that they have teamed with Lanvin creative director Alber Elbaz.

“Alber Elbaz is, without a doubt, one of the world’s most influential fashion designers. But beyond that, he is also the most talented” said Youcef S. Nabi, Lancôme president, via press release “ We are extremely proud and happy that, with us, he is set to channel his universe into the world of make-up for the very first time.”
Read more »


Later, Balenciaga blonde. This season’s power hair colour is brunette

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Brunettes overshadowed the Fall 2012 runways.

Brunettes overshadowed the Fall 2012 runways. Celia Ellenberg reports on the power colour.

Need hair dye inspiration? View our brunette photo gallery »

For two full seasons, Guido Palau made an indelible mark on the backstage beauty game by dyeing models’ hair a frothy colour often described as “Balenciaga blonde” because of its prevalence on Nicolas Ghesquière’s runway. But last September in Paris, the Redken creative consultant shocked the show-going set with some black magic—make that brown magic—by taking a previously platinum Kasia Struss to a warm shade of chocolate. “She just looks tougher with brown hair,” he said at the time. Read more »


Dark Ages: Our October issue beauty shoot pays homage to this season’s dark heroine with crimson lips, oxblood nails and barely there brows

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Photo shoot: Dark ages

Photographed by Gabor Jurina. Hair and makeup by Greg Wencel. Styled by Zeina Esmail.

Crimson lips, oxblood nails and barely there brows and lashes are the perfect backdrop for one of Fall 2012′s biggest fashion trends: the dark heroine. Inspired by characters like Lisbeth Salander, Morticia Addams and even Snow White (likely of the Kristen Stewart variety), the look took hold at shows as different as Gucci and Viktor & Rolf, transforming models into vampiric goddesses at each show. In this photo shoot ode, our beauty team sets the stage with sombre velvets, beading, lace.

View the photo shoot »
See the trend on the runway »


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Say hello to Karl Lagerfeld’s Mon Shu Girl, the adorable mascot for his upcoming Shu Uemura collection

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We’ve been fantasizing about Karl Lagerfeld’s forthcoming collection for Shu Uemura since we first reported on the collaboration last month, and now the recently unveiled Mon Shu Girl mascot is giving us even more reason to lust after the line. Read more »


They said/We said: A new study reports that women spend more on beauty during recessions

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Photography by Carlo Mendoza

It should come as no surprise that during financial downturns, people tend to tighten their purse strings. What is surprising, however, is a spending phenomenon called the “lipstick effect,” which is a cute way of describing how women surprisingly spend more on beauty products during recessions. For example, did you know that L’Oréal was one of the few companies to experience growth in 2008? When all other sectors were approaching rock bottom, the beauty market was actually thriving.

Up until this point, most speculated that women were opting for beauty buys because they’re cheaper ways of splurging. However, a recently released study seems to have scientifically debunked this notion. According to the study’s findings, when it comes down to it women are less “recessionistas” than they are “recession mate hunters,” at least on a subconscious level.

Essentially, the scientists found that in keeping with ancient times (when finding a mate was of paramount importance, especially during environmentally taxing periods) the modern-day hunt for a mate is put into subconscious overdrive when the economy takes a nosedive.

In other words, as the number of gainfully employed men dwindles, women are drawn to beauty products to up their physical attractiveness, making them more viable competitors for those few eligible bachelors. This trend even extends to advertising: slogans that hinted at a “catch-a-mate” function fared better than those that were more neutral.

Though this sounds a bit (a lot) like gold-digging, apparently, it’s not — according to the study, the women’s own resource needs (i.e. money in the bank) didn’t play a part in their draw to beauty products. In fact, the lipstick trend seems to just be a byproduct of an adaptive evolutionary tactic that’s been around for years: the most desirable females were often the most beautiful, while the most sought-after men were usually well-equipped to provide for their mate and offspring.

Sexist? Well, unintentionally, yes it is a bit sexist. But it’s food for thought: are evolutionary tactics still permeating our modern-day existence? Or did the researchers fail to take into account other factors, like the cross-gender effect of a little retail therapy during bad times? Also, how many women can rely solely on beauty products to enhance their appearance? What about gym memberships, cosmetic surgery, and the like — do women spend more on them during recessions as well?
Read more »


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