All posts under ‘Sophia Loren’


The cat-eye: We look to icons of different eras for inspiration—plus, tips for painting your own

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The cat-eye

Jonathan Saunders Spring 2012. Photography by Peter Stigter

The cat-eye is having a moment. Celia Ellenberg takes us through its many versions over the years and finds out how to execute them.

While spring tends to signal the arrival of all beauty things light and bright, the runways told a different story this season as designers embraced a certain graphic cosmetic accoutrement that’s seen an impressive evolution over the past few centuries. Behold, the rebirth of the cat-eye. Black-rimmed upper lash lines were the makeup look of choice at shows such as Ruffian and Dolce & Gabbana, and while the backstage miracle workers made it look easy, mastering the perfect flick on your own can be a different story. We’ve gathered eight eyeliner icons and asked Hourglass Cosmetics’ artistic director Gina Brooke and makeup artist Pati Dubroff to weigh in on whether the liquid pen is truly mightier than the kohl pencil when it comes to crafting the perfect winged liner. Because, according to Brooke, “if you use the right products, getting the look is not an issue.”

GET THE LOOK:
CLEOPATRA | AUDREY HEPBURN | SOPHIA LOREN | BRIGETTE BARDOT | BETTY DRAPER | KATE MOSS | AMY WINEHOUSE | ADELE

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The Age Issue

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May 2012 | The Age Issue

From our photo shoot with 82 year-old China Machado to top tips from icons like Sophia Loren and Twiggy, we’re celebrating all things age-appropriate with a jam-packed guide. Read more »


Age-defying icons: 9 legendary women (Sophia! Twiggy! Yoko!) on the art of personal style

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Culture: Age

Read what Sophia Loren, Twiggy and more have to share about the wisdom of aging and the stories of art, music and fashion.

Sophia Loren | Twiggy | Yoko Ono | Joan Collins | Donna Karan
Annie Nightingale | Deborah Harry | Iris Apfel | Mary Mcfadden

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What’s in your bag, Elio Iannacci?

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Photography by Erin Seaman

Today’s bag snoop comes via FASHION‘s latest and greatest new addition, features editor Elio Iannacci. Since joining the team last month, he has already broken bread with Sophia Loren, Iris Apfel and Rufus Wainwright, to name a few, and contributed to our overall fabulousness by well, just being himself. From the photos in this gallery, it looks like Elio carries all of his belongings with him to the office every day. Let’s go inside for the full scoop.

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The list: Channel your inner bombshell with vibrant retro looks

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The list

See our editor’s 50+ shopping picks for spring »

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Spring beauty report 2012: Retro influences

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Spring beauty report 2012: Backward glance

By Lesa Hannah and Sarah Daniel

Liquid liner hasn’t lost its momentum, but makeup artists left last season’s ’60s mod influence behind and moved back a decade to the ’50s, with inspirations like Sophia Loren and Elizabeth Taylor. At Jonathan Saunders, artiste Lucia Pieroni gave models a Stepford streak, inspired by a mid-century Miami housewife who likes her Valium, she says. At Marni, makeup artist Tom Pecheux applied a cinnamon-coloured flick instead of the standard noir, which was inspired by a terracotta clutch in the collection and brought “a sophisticated finish to the face,” he says. Hair-stylists also mined the past for ideas—from the ’20s to the ’70s, and every decade in between. At Diane von Furstenberg, teased ’60s French twists were “textured so it’s rustic and earthy, and quite simple in shape,” says coiffeur Orlando Pita. But at Jean Paul Gaultier, it was an old photograph that led to the loose wartime rolls that hair guru Guido Palau fastened to the top of the head. Our favourite was the sterile-looking ’50s faux bob at Jil Sander, in all its vacuum-sealed nurse practitioner perfection.

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Couture diary: Armani Privé’s goblet of fire, Dior’s jewelled minatures and perusing the fine details at Coco Chanel’s apartment

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Chanel

Chanel

Sophia Loren, Jodie Foster and Olivia Wilde squeezed into an empty shop in the corner of the Place Vendome to take in the Armani Privé spring 2011 couture collection, which looked as if it had been poured out of a flaming goblet. The molten fabrics in silver and jewel tones were sculpturally cut, with stiff little peplums or spliced openings across the hips. Imagine a liquefied suit of armour topped with lacquered dinner plate hats. It was all very futuristic Cardin-meets-Lady Gaga.
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