All posts under ‘Spring Beauty 2012’


Runway to Real Life: 5 products are all you need to try Phillip Lim’s silver and pink look for spring!

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Left: Phillip Lim Spring 2012 photography by Peter Stigter. Right: Photography and makeup by Dallas Curow. Model: Adriane/Folio Montreal.

When Phillip Lim created his Spring 2012 collection, fond memories of his childhood hobby of constructing and flying kites translated into a feeling of lightness and fun in his predominantly pastel collection. Models breezed down the runway wearing icy cool silver stripes of eyeshadow that perfectly complemented the fluttering fabric

The beauty look is really fresh and easy, so there isn’t much adjusting required to rock it in real life. You can recreate the eyes almost exactly—but add your own twist with a flush of pink on your cheeks and a creamy sheen to your lips. It’s a look that will breathe fresh air into your summer makeup routine.

Ready to try a swoosh of silver on your eyes? Read on! » Read more »


Runway to Real Life: No gold leaf required for this easy take on Fendi’s Spring 2012 look!

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Left: Fendi Spring 2012 photography by Peter Stigter. Right: Photography and makeup by Dallas Curow. Model: Alana/Folio Montreal.

Find out how to get this look! »

Smart Italian women—scientists and mathematicians, to be exact—were Fendi’s Spring 2012 muses. Models appeared with bouffant, slightly disheveled faux bobs meant to remind us of eccentric scientists. (Einstein, hello!) Their eyes were slightly obscured by frameless shades resembling lab glasses. Behind the shades, the models’ eyes were gilded with gold or silver leaf, which makeup artist Peter Phillips had applied generously to create a raw texture while echoing the shape of the glasses. Read more »


Runway to Real Life: Easy tips to help you master Moschino’s smoky eye makeup!

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Left: Moschino Spring 2012 photography by Peter Stigter. Right: Photography and makeup by Dallas Curow. Model: Adriane/Folio Montreal.

Inspired by Spain’s rich cultural traditions and mythologies, Moschino’s Spring 2012 collection definitely brought the drama. Models sashayed with toreador swagger, wearing ruffled dresses, jingling gold bells and even donning bullfighter hats. Makeup artist Tom Pecheux dreamed up a look that was a tribute to Mexican painter Frida Kahlo, anchored by a strong brow, dramatic smoky eyes and contoured cheeks. The smudginess of the eyes had a painterly quality that was a perfect accompaniment to the vivid collection.

Since the classic black smoky eye is essentially the makeup equivalent of a little black dress, this is a great and wearable look for any special event. We’ll share some tips and tricks for creating a Moschino-worthy version that will stay put all night long.

Learn how to do the smoky eye! »
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Spring beauty guide 2012

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Spring beauty guide 2012

Photography by Peter Stigter

By Lesa Hannah and Sarah Daniel

There’s never a lack of creativity backstage. Hairstylists and makeup artists are beauty wizards, working their own brand of magic to create characters for each runway show. But this season, their imaginations took things to the next level. From candy-coloured hair to lips that mimicked floral blooms to eyes that were dressed in metallic foil, spring’s beauty message is not for the faint of heart.

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Spring beauty report 2012: Festival girl

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Spring beauty report 2012: Festival girl

By Lesa Hannah and Sarah Daniel

Makeup artists and hairstylists drew inspiration from girls hitting the summer music festival circuit with dishevelled, centre-parted strands and slept-in smoky eyes. Dsquared threw its own concert, sending models down the muddy runway with hippie hair that was “Kate Moss at Glastonbury,” explained hairstylist Sam Mc-Knight, while at Alexis Mabille, tiny daisies were tucked into textured hair for a Lilith Fair feel. At Emilio Pucci, makeup artist Lisa Butler’s roughly smudged black liner with hits of copper and gold paid homage to an ’80s Madonna, with a side of gypsy-esque free spirit. And when eyes weren’t rimmed in black, blue was the new black: For Emanuel Ungaro, Charlotte Tilbury gave eyes a wet look by mixing teal and navy with noir and layering gloss on top. Likewise at Rodarte, models wore a smoky eye with a spin; makeup maven James Kaliardos gave lids a navy wash that winked at Vincent van Gogh’s The Starry Night.

See the backstage beauty »
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Spring beauty report 2012: Slippery slope

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Spring beauty report 2012: Slippery slope

By Lesa Hannah and Sarah Daniel

It was sink or swim backstage, where wet hair and glistening skin were major beauty themes to surface this season. At Bottega Veneta and Diesel, Guido Palau crafted dripping chignons and misty ponytails. At Alexander Wang, models looked like they had just hopped out of the shower. The sopping effect wasn’t achieved with H2O but with argan hair treatment “until you really get it looking wet,” says Palau. Super-hydrated skin with a healthy sheen was reminiscent of an Olympian post-workout, or in the case of Missoni, a girl who had been up all night flamenco dancing—the models’ dewy complexions achieved through artful placement of metallic cream shadow. That shine could also result from plenty of Botox, according to makeup artist Val Garland, who simulated that supernatural skin for Giambattista Valli by strategically applying a pink-gold pigment on the planes of the face.

See the backstage beauty »
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Spring beauty report 2012: Retro influences

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Spring beauty report 2012: Backward glance

By Lesa Hannah and Sarah Daniel

Liquid liner hasn’t lost its momentum, but makeup artists left last season’s ’60s mod influence behind and moved back a decade to the ’50s, with inspirations like Sophia Loren and Elizabeth Taylor. At Jonathan Saunders, artiste Lucia Pieroni gave models a Stepford streak, inspired by a mid-century Miami housewife who likes her Valium, she says. At Marni, makeup artist Tom Pecheux applied a cinnamon-coloured flick instead of the standard noir, which was inspired by a terracotta clutch in the collection and brought “a sophisticated finish to the face,” he says. Hair-stylists also mined the past for ideas—from the ’20s to the ’70s, and every decade in between. At Diane von Furstenberg, teased ’60s French twists were “textured so it’s rustic and earthy, and quite simple in shape,” says coiffeur Orlando Pita. But at Jean Paul Gaultier, it was an old photograph that led to the loose wartime rolls that hair guru Guido Palau fastened to the top of the head. Our favourite was the sterile-looking ’50s faux bob at Jil Sander, in all its vacuum-sealed nurse practitioner perfection.

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Spring beauty report 2012: Add-ons

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Spring beauty report 2012: Add-ons

By Lesa Hannah and Sarah Daniel

Hair accessories have been elevated beyond the basic bobby pin or pedestrian ponytail fastener. At Jason Wu, Odile Gilbert decorated updos with skinny black feathers for a punk touch. “We don’t want them to look romantic,” she says. At Chanel, pearls were pinned into wet-looking chignons; at Yves Saint Laurent, buns were encased in gold cage barrettes. Embellishment didn’t end there, though; faces were fully decorated too. To characterize “giant living dolls” at Viktor & Rolf, makeup artist Pat McGrath used thick, pink false eyelashes. At Givenchy, she responded to the designer’s request for “metallic flashes of light” by cutting sequins in two and placing one half above the eyes and one half below. When “[models] walked and blinked, it would capture the light,” says McGrath. But makeup maven Peter Philips wins the award for best showmanship: At Fendi, he affixed bits of gold and silver leaf from lash to brow. The look blew our minds.

See the backstage beauty »
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