NYFW backstage beauty: The Chinese military meets ’40s Hollywood at Jason Wu
NYFW style snaps: We’re at Peter Som and Jason Wu, and so are Grace Coddington, Kate Lanphear, and Olivia Palermo
NYFW diary: The dispatch from day one including Jason Wu’s updated Mao jacket, Rag & Bone’s granny mishmash, and Suno’s sweet, sweet garden print
They said/We said: Kate Moss battles good and evil (like, really evil!) in a new W photoshoot
NYFW style snaps: We spy many fur coats, lots of studded leather, and is that Waris Ahluwalia?
All posts under ‘Susie Bubble’
By FASHION Staff | February 11th, 2012 | 4:00 pm
Photography by Lewis Mirrett
NYFW continues, and we have more than 90 pictures from the crowds at Peter Som and Jason Wu! Day two brings even more bright colours, pattern mixing, and some of the best shoes yet. And from Olivia Palermo to Joanna Hillman, furry toppers continue to dominate the streets of New York.
By Laura Kathleen Maize | December 5th, 2011 | 3:30 pm
View the Spring 2012 collection »
Ostwald Helgason, the London-based label made up of German-born Susanne Ostwald and Icelandic Ingvar Helgason, is making some serious waves. Both have fashion backgrounds—Ostwald with a Fashion Design MA from Germany’s Burg Giebichenstein and Helgason with a combination of design, management, and tailoring—their individual interests in fine art and new technology come together in clean, modern shapes with a distinctly unique edge.
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By FASHION Staff | September 10th, 2011 | 4:00 pm
Photography by Lewis Mirrett
Et voila: The motherload of style spottings from outside Jason Wu, Yigal Azrouël, and United Bamboo yesterday. Plenty more brights, celebs, and style stars for y’all to enjoy! So, go on, enjoy!
By Rani Sheen | May 11th, 2011 | 12:00 pm
Photography by Don Arnold/Getty Images
The second half of fashion week brings some of the buzziest shows—notably Dion Lee and Josh Goot who are known at home as well as abroad as the new kings of Australian fashion. Both put on an impressive and memorable show for their adoring subjects, and their joint reign remains unchallenged.
Dion Lee has come back to the Sydney Opera House’s glass front foyer for his Spring show—and why wouldn’t he? Of all the images from last season, the ones of rows of models in pastel draped minidresses, framed by the soaring glass structure, are the most enduring. Local PR powerhouse Holly Garber, in a navy Dion Lee dress and complicated-looking headset, directs seating with military precision, but can’t control the searing beams of morning sunshine assaulting the eyes of the front row on the lower level. Happily, I’m facing the other way. Models walk along the two levels and up and down the shallow stairs in stiff, short dresses with moulded shoulders and skirts—even bootleg trousers have strategic volume behind the ankle, like rounded alien shin-fins. Shoulders and hips appear through Lee’s signature cutouts, keeping things light and allowing natural movement. He’s added brightly coloured prints—one resembles a photograph of a sheet of crumpled metal foil. There are shiny black accents, and metallic ones. Makeup impresario Napoleon Perdis has delivered wondrously illuminated skin that gives the sunlight some reflective competition. Flat Camilla Skovgaard Grecian sandals quickly give way to vertiginous ones, and metal breastplates provide a layer of glimmering protection. At the end, the models line up like a resolved and very pretty army—if Lee continues this show format, these money shots will provide an interesting slideshow of his development as a designer.
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By Rani Sheen | May 4th, 2011 | 12:30 pm
Left: Morrison and Right: Lover shot by Stefan Gosatti/Stringer.
On a greyish autumn morning (in Australia that is), fashion press, retailers and industry people click-clop along the impressive Sydney Harbour foreshore towards the Overseas Passenger Terminal for the Spring/Summer 2011/2012 collections. Cruise ships dock at the large glass structure on the lip of the water, but we’re here to be transported through five days of presentations by the best Australia has to offer. Here we present our favourites so far:
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By Meagan Wilson | April 14th, 2011 | 3:30 pm
True to form, Tom Ford’s new very-NSFW campaign for his line of Neroli Portofino bath and body products sizzles. [Tom Ford]
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By Sarah Nicole Prickett | October 7th, 2009 | 5:38 pm
Photography by Sarah Nicole Prickett
I forgot Marc Jacobs was making timeliness happen: apparently, his last two NY shows have begun promptly, and today I nearly missed his Louis Vuitton spectacular because I decided to walk over from Colette Dinnigan. Funny thing: when you ask someone at Paris Fashion Week how long it takes to get somewhere, they give you two times: “weeth heels” and “without.”
I should’ve gone without. But I did skitter in right as the show began, and how lucky I did! Because this show was fun–girlish, giddy fun–which is something I’d no idea I was missing, til 2:30 p.m. (sharp) today. There’s lots of drama in Paris (did you watch McQueen live? I’m still amazed), and there’s beige restraint, and there’s beauty, of course–but not a lot of fun. And what else could you call this bonbon assortment of plaid and prints, pinafores and pockets, and–wholly amazing–poodle hair? The girls looked like Marie Antoinettes on acid. Tassels swung wildly from messenger bags and trussed up shoes–sometimes they were white fur, like funny moustaches. Read more »
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NYFW backstage beauty: The Chinese military meets ’40s Hollywood at Jason Wu
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