All posts under ‘Riccardo Tisci’


Reel Artists Film Festival brings artist Kehinde Wiley and his soaring collaboration with Givenchy to Toronto

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Kehinde Wiley at work

Kehinde Wiley at work. Photography by Jessica Chermayeff

See our RAFF opening night gallery »

Did you know that Toronto is home to the world’s only art on film festival? Or that it is in its 11th year? Probably not. For the past few years, the Reel Artists Film Festival has blown us away with its A-list roster of films, talent and frankly, how underrated it is. This year, RAFF upped the ante yet again by premiering An Economy of Grace, a film about artist Kehinde Wiley and his unique brand of hood-meets-highbrow in pieces that portray African Americans in heroic poses.

At Wednesday night’s opening, the who’s who of Toronto’s art scene fêted the film, hobnobbing with the artist and taking in an onstage Q&A with him and Zoomer editor-in-chief Suzanne Boyd, which focused on the sociological impact his pieces have on his subjects as well as his work with Givenchy.

An Economy of Grace follows Wiley as he creates his first women-only painting series, casting them on the street in Harlem, dressing them in couture gowns and transforming them into large-scale re-imaginations of classic works of art. It also documents the artist’s collaboration with Givenchy creative director Riccardo Tisci, who created the dresses exclusively for the paintings. “When I thought about the absolute favourite of favourites or what stood for the best of haute couture, it was Givenchy,” said Wiley of the partnership. As current fashion plays so comfortably in the arena of high low, Wiley’s work touches on how once impossible that kind of combination would have been. In the days of great master portraiture (Wiley’s work often draws directly from Titian, Ingres, John Singer Sargent and Napoleon painter Jacques Louis David), subjects would have been those with money, wealth and social stature. They certainly would never have been of colour, something Wiley’s work flips on its head.

Read our interview with Kehinde Wiley »
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FASHION Magazine Winter 2014 Cover: Courtney Love

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Fashion Magazine Winter 2014 Courtney Love

PHOTOGRAPHED BY CHRIS NICHOLLS AND STYLED BY ZEINA ESMAIL, COURTNEY LOVE WEARS A DRESS, $3,500, BY GUCCI AT HOLT RENFREW AND EARRINGS, $1,200, FROM CAROLE TANENBAUM VINTAGE COLLECTION. HAIR BY DOMINGO QUINTERO FOR JED ROOT/SERGE NORMANT PRODUCTS. MAKEUP BY LISA AHARON FOR JED ROOT/CHANEL BEAUTÉ. FASHION ASSISTANT, ELIZA GROSSMAN.

Scheduling a photo shoot around Courtney Love’s schedule is no easy feat. The music and fashion icon was in the thick of writing her upcoming autobiography, recording her next album and sketching a spring collection for her clothing line, Never The Bride, when FASHION asked her to pose for the Winter 2014 issue. Love’s flurry of activity is all part of an ongoing comeback plan—one that is clearly winning over a number of fashion houses who have named her a major inspiration.

After wrapping up her cover shoot at Canoe Studios, FASHION’s features editor Elio Iannacci was invited to Love’s home in the New York’s West village to talk about her 30-year-plus career and her next batch of projects. Chatting in front of the same fireplace Hedi Slimane photographed Love in front of for Saint Laurent’s current ad campaign, the pair were surrounded by neat piles of books ranging from classic literature, philosophy and chick lit—titles including The Devil Wears Prada and Valley of The Dolls. Here is a sneak peek of our cover story, which hits newsstands nationwide on November 11, 2013.
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Boobies in Paris! Kim Kardashian plays hide and seek with the assets at Paris Fashion Week

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Kim Kardashian Paris Fashion Week

Left: Photography by Marc Piasecki/WireImage. Right:Photography by Julien M. Hekimian/Getty Images

Kim Kardashian at Paris Fashion Week »

Kim Kardashian must think it serendipitous that the oversized outerwear trend hit just after she’d given birth to her daughter North West. Like the high fashion version of chopping your hair into a mommy bob, big ole coats are like the ultimate “getting back into the groove” essential. Coincidentally, they’re also pretty chic right now. Kardashian wore the same Max Mara camel coat 3 times over the past couple of days as she hit Paris Fashion Week with Kanye West (he wasn’t wearing leather jogging pants, but hey, this is France). Kardashian styled the coat over leggings while shopping on Avenue Montaigne, then again over a simple beige minidress, then earlier today as she returned back home to Los Angeles overtop jeans and moccasins. Versatility comes first, even if you’re a Kardashian?
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Marina Abramović: The high priestess of performance art talks Givenchy, opera and her upcoming Luminato showcase

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Marina Abramovic

Photography courtesy of Luminato

Few can claim to embody the term “masterclass” the way Marina Abramović can. The Serbian-born, New York-based performance artist has consistently risked her physical and mental health in order to examine the concept of human limitation. In 1974, for a piece called Rhythm 5, Abramović set fire to a large petroleum-soaked pentacle and lay expressionless in the centre of the star as the flames went up (she fainted from a lack of oxygen). Other extreme works—some of which are covered in 2012’s acclaimed documentary on her life, Marina Abramović: The Artist Is Present—had Abramović dripping candle wax on her bare skin, masturbating in public, cleaning human skulls and offering her naked body to strangers, who were encouraged to dress and undress her. One of her most time-consuming pieces—a 1988 performance titled The Lovers—had Abramović walk the east side of the Great Wall of China alone. The trip, which measured more than 2,000 kilometres, was planned alongside a parallel expedition taken by her lover and partner, Ulay, who trekked up the wall’s west side so the two could meet in the middle. When the pair reunited—three months after their respective journeys began—Abramović chose the moment to tell him she was putting an end to their professional and personal relationship.
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CFDA Awards 2013: Our recap of the winners, the red carpet outfits and more

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CFDA Awards 2013

Photography by Jamie McCarthy/Getty Images

See photos from the CFDA Awards 2013 »

The who’s who of fashion piled into the Lincoln Centre’s Alice Tully Hall last night for the CFDA Awards 2013 in New York City. For those who are a little unfamiliar to the event, the ceremony is to the fashion industry what the Grammys are to music. Let’s just say, you’re more likely to see Zac Posen on the red carpet, that you are J Biebs.

From Hilary Rhoda’s Helmut Lang number to Nicole Richie’s metallic maxi, the red carpet saw fashions finest (accompanied by their favourite six-foot-tall friends) in a variety of daring ensembles. Adriana Lima’s floor sweeping Givenchy frock left little to the imagination with its sheer skirt, while Jessica Chastain’s little black after-party-ready dress looked fabulous with her main accessory, Givenchy designer Riccardo Tisci, whom she later presented the international award to. Erin Wasson looked positively futuristic in her edgy Alexander Wang gown while Miranda Kerr supported the boys at Proenza Schouler with a stunning blue mini by the label. Kerr’s fellow Victoria’s Secret angel Candice Swanepoel accompanied a very lucky Prabal Gurung to the event. Poor Michael Kors, who couldn’t decide on which model-friend to be his plus one, ended up bringing two dazzling dates, Karolina Kurkova and Cody Horn, who wore shimmering pieces from his collection. Meanwhile, Mary-Kate Olsen swapped sisters for the night, dressing Elizabeth Olsen in The Row while she stuck to her vintage penchant in Issey Miyake.
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Met Gala 2013: The 25 best dressed on fashion’s most important red carpet

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Met Gala 2013

See the Met Gala 2013 red carpet photos »

The build up to this year’s Met Gala has been major. Designers, celebrities and the fashion elite have been scrambling to piece together a look that fits the Metropolitan Museum of Art’s theme, PUNK: Chaos to Couture and while admittedly, the punk-inspired looks were few and far between, we were certainly thrilled with a few.

Channeling her own recent V Magazine cover, Miley Cyrus went latter day Debbie Harry with platinum blonde spikes and a long fishnet Marc Jacobs dress. Anne Hathaway debuted a similarly bleached bob alongside her date and dresser for the night, Valentino Garavani, sending the twittersphere in a tizzy.

Co-chairs of the event Riccardo Tisci and Rooney Mara went punk-light with Mara in a beautifully detailed white lace Givenchy dress and a pop of crimson on the lips.

Also wearing Givenchy was none other than Beyoncé—the honourary chairperson for this year’s event. Pairing her custom-designed strapless black and gold printed gown with blinged out boots in the same shade, Queen Bey proved for her second year in a row that last on the red carpet is always best.

After finally receiving the Anna Wintour nod of approval, Kim Kardashian made an appearance at the Met Gala 2013 in a floral-print Givenchy dress with baby-daddy, Kanye West at her side.

Someone who is more known for consistently nailing red carpet looks than Kimye, is Emma Watson and she hit a high note yet again in a skin-bearing Prabal Gurung dress with a single silver drop earring hanging from her left ear.

And while Kristen Stewart has held fast to her role as the face of Balenciaga’s Florabotanica, she strayed from the house’s new wears, opting instead, for a crimson Stella McCartney pantsuit.

So who was the best dressed at the Met Gala 2013? Vote in our poll!
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MET Gala predictions: Our 10 favourite looks of the past and guesses for what the A-list might wear this year

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MET Gala Predictions Beyonce 2012

Photography by Larry Busacca/Getty Images

See our favourite MET Gala looks and predictions »

It’s been a couple of months since the last big red carpet event and let’s face it: what is fashion without the red carpet? Since May is just around the corner, this only means the biggest fashion event of the year, the annual Metropolitan Museum of Art Costume Institute Gala in New York. This year’s exhibit, PUNK: Chaos to Couture, will feature around designs for both men and women focusing on the evolution of punk’s influence in the world of fashion since the birth of its movement in the 1970s to its present day.

With punk theme as the focus, who better than to have punk’s latest muse, actress Rooney Mara, and Givenchy designer Riccardo Tisci as this year’s co-chairs alongside Anna Wintour and Moda Operandi’s Lauren Santo Domingo? Not usually associated with punk, Beyonce was named Honourary Chair of the event as if her show-stopping Givenchy dress at last year’s MET Gala was not enough of a reason to be given this honour.
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Kate Moss stars in Stuart Weitzman’s Spring 2013 ads and looks better than ever

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Kate Moss Stuart Weitzman Ads

See Kate Moss’s Stuart Weitzman Ads »

After her recent Vanity Fair cover and the release of her own book, Kate Moss has now been named the face of Stuart Weitzman’s Spring 2013 campaign.

Photographed in black and white by Mario Testino (a long time collaborator of Moss’s), this role marks the first time the British supermodel has modeled in an American shoe designer’s campaign, despite her nearly two-decade career.

Of the shoot, Moss said “I had a great time shooting the Stuart Weitzman campaign and I’m so happy to be the face of the brand this season. Working with Mario Testino is always fun and it was wonderful meeting Stuart on set.”
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